#4: Yellowface: Asian Whitewashing and Racism in Hollywood (2019)
I predicted this last month. I had already watched it when I posted April's Screenings and I mentioned that it may make May's Top 10. I was right.
The focus of this documentary is right there in the title. Most people are familiar with the history of blackface in American cinema, but yellowface may be off their radar.
This film concentrates on two aspects of yellowface; non Asian actors portraying Asian characters, and the history of anti-Asian racism in Hollywood, especially during/after WWII. They do a wonderful, thorough job with both topics.
Marlon Brando, Katharine Hepburn, John Wayne, Rex Harrison, Agnes Moorehead, Fred Astaire, Tony Randall, and Emma Stone have all portrayed Asian characters. Many times with offensive prosthetics and makeup.
Oh...and Mickey Rooney. Yeah. That happened. This film shows it all and explains why it's so offensive and wrong. I guess that would need to be explained to some people.
#3: Nails (1979)
This is a 13 minute long documentary about the manufacturing of nails and it's amazing, mesmerizing, trippy, soothing...it's so many things.
One of my 15 free, without any ads movies from kanopy! I told you about kanopy, yes?! Look it up! And sign up! Now! All you'll need is a library card! Do it!
#2: Beyond the Infinite Two Minutes (2020)
For once, a poster that speaks the truth! Read that comment. "A masterpiece of film-making packed with joy." Bingo!
The "Droste Effect" is the effect of a picture recursively appearing within itself, in a place where a similar picture would realistically be expected to appear. Like this:
So in this movie, they have a Droste Effect television that allows them to see two minutes into the future. Then they multiply that. It is a mind-bending sci/fi comedy that has to be seen. I really can't explain what they pull off here. See for yourself on Amazon Prime Video. It's only 70 minutes long, and it's worth every second.
#1: Slacker (1990)
Look at this! Two months in a row that my #1 was directed by Richard Linklater! Good job, Richard!
This film is so unique because we follow the camera from scene to scene and character to character. We spend a scene getting to know some characters and then we're whisked away as the camera then follows someone else. As I was watching it, I was reminded of Kevin Smith's classic Clerks. Turns out that Smith saw Slacker and was inspired to make Clerks. One point for me!
Because of this style, the shots are extremely long and cuts are few and far between. The opening scene features the director himself as "Should Have Stayed at Bus Station," a man in a cab with a very lengthy monologue that was supposedly done in one take. I'll make a deal with you...watch that first scene. If you aren't captivated by everything about it and want to continue watching, you get your money back. This was another "Texas Treat" from Richard Linklater.
The podcast is closer than ever! Details to follow along with, of course, the Cinema Wellman Project's June Screenings.
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